بورتريه لـ Copley Fielding

لوحات Copley Fielding: أشهر 89 لوحة، بعيون معرض فني

تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 105 أعمال لـ Copley Fielding في كتالوجنا

باختصار

من وجهة نظر المعرض، فإن أشهر لوحة للفنان Copley Fielding هي Richmond hill, (1830). Ambelside, (1829) و Lake Nemi with Pontine Marshes in the Background (1837) يكملان الثلاثية التي تدركها كل عين. من بين 105 من أعمال Copley Fielding في كتالوجنا، يعرض المعرض أدناه 89 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.

1787 – 1855, Sowerby Bridge Romanticism أكبر مجموعة أعمال: Birmingham Museum and Art Gallery

أفضل 10 لوحات لـ Copley Fielding في المعرض

لوحات Copley Fielding، مرتبة من 11 إلى 89

11Rotha Quillinan للفنان Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape للفنان Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor للفنان Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District للفنان Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London للفنان Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods للفنان Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine للفنان Copley FieldingLoch Katrine 18Dunster Castle, sunset للفنان Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn للفنان Copley FieldingLoch Lomond at Dawn 20Sea Piece للفنان Copley FieldingSea Piece 21On The Wye للفنان Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. للفنان Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall للفنان Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks للفنان Copley FieldingNanette Rocks 25North View Of Tintern Abbey للفنان Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath للفنان Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas للفنان Copley FieldingShipping In Rough Seas 28Henry Graves للفنان Copley FieldingHenry Graves 29A Sea Piece للفنان Copley FieldingA Sea Piece 30John Gibson للفنان Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore للفنان Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake للفنان Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth للفنان Copley FieldingShipping off Portsmouth 34St. john's vale للفنان Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater للفنان Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales للفنان Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond للفنان Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater للفنان Copley FieldingSkiddaw from derwentwater 39Near Ullswater للفنان Copley FieldingNear Ullswater 40Crowded Waters At Dusk للفنان Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds للفنان Copley FieldingOff to the fishing grounds 42Scarborough Castle للفنان Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover للفنان Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales للفنان Copley FieldingOn the glaslyn, north wales 45Droving cattle للفنان Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream للفنان Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View للفنان Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin للفنان Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale للفنان Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon للفنان Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire للفنان Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall للفنان Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster للفنان Copley FieldingMrs John Forster 54Cattle Watering In The Lake District للفنان Copley FieldingCattle Watering In The Lake District 55River view للفنان Copley FieldingRiver view 56Dolbadern castle للفنان Copley FieldingDolbadern castle 57Windsor Castle From The Park للفنان Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond للفنان Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle للفنان Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground للفنان Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside للفنان Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough للفنان Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales للفنان Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle للفنان Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground للفنان Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland للفنان Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour للفنان Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount للفنان Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape للفنان Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset للفنان Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore للفنان Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire للفنان Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire للفنان Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape للفنان Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground للفنان Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk للفنان Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock للفنان Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape للفنان Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor للفنان Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire للفنان Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove للفنان Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond للفنان Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire للفنان Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton للفنان Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset للفنان Copley FieldingA rest by the wayside, sunset 86William Gibbs للفنان Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm للفنان Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis للفنان Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum للفنان Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

المواضيع التي استأثرت باهتمام Copley Fielding

المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.

المتاحف التي تحتفظ بالأعمال الأصلية لـ Copley Fielding

المتاحف الـ 4 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.

المتحف المدينة أعمال Copley Fielding لوحات من هذه القائمة
Birmingham Museum and Art Gallery, برمنغهامBirmingham Museum and Art Gallery برمنغهام 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, سيدنيArt Gallery of New South Wales سيدني 1 Dunster Castle, sunset
Yale Center for British Art, نيو هيفنYale Center for British Art نيو هيفن 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding، لوحة أيقونية واحدة لكل عقد

الأعمال حسب العقد

اختر عقداً لتشاهد العمل الأصلي الذي يجسده.

لوحات Copley Fielding: إجابات المعرض

ما هي اللوحة الأكثر شهرة لـ Copley Fielding على الإطلاق؟اكتشف الإجابة

Richmond hill, (1830). يليه Ambelside, (1829) و Lake Nemi with Pontine Marshes in the Background (1837).

كم كان عمر Copley Fielding عند إكمال Richmond hill,؟اكتشف الإجابة

عمر 43 عاماً: يعود تاريخ Richmond hill, إلى 1830، وقد وُلد Copley Fielding في 1787.

ما هي أفضل 10 لوحات لـ Copley Fielding؟اكتشف الإجابة

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide و Unloading the catch, whitby. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.

كم عدد الأعمال التي أبدعها Copley Fielding؟اكتشف الإجابة

يضم كتالوجنا 105 من أعمال Copley Fielding، التي يعود تاريخها من 1829 إلى 1851.

أين تُعرض أشهر الأعمال الأصلية لـ Copley Fielding؟اكتشف الإجابة

توجد غالبيتها في Birmingham Museum and Art Gallery (برمنغهام), Art Gallery of New South Wales (سيدني) و Yale Center for British Art (نيو هيفن). يدرج جدول المتاحف أعلاه جميعها.

متى أبدع Copley Fielding أشهر لوحاته؟اكتشف الإجابة

في 1830s: تم إنجاز 4 من أصل 89 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Richmond hill,.

ما هي أشهر أعمال Copley Fielding المبكرة والأخيرة؟اكتشف الإجابة

في هذه الصفحة، أقدم الأعمال يعود إلى Ambelside, (1829) وأحدثها يعود إلى Byland Abbey, (1851).

ما هي المواضيع التي عاد إليها Copley Fielding أكثر من غيرها؟اكتشف الإجابة

Beach (11), Landscape (9) و Animals (8)، عبر 89 من الأعمال في هذه الصفحة.

ما هي المدرسة الفنية التي ينتمي إليها Copley Fielding؟اكتشف الإجابة

Romanticism، بناءً على الأعمال الأصلية في هذه الصفحة.

ما هي الأعمال الأصلية لـ Copley Fielding التي تمتلكها Birmingham Museum and Art Gallery؟اكتشف الإجابة

Lake Nemi with Pontine Marshes in the Background و Scottish Loch With Mountains: يضم Birmingham Museum and Art Gallery, برمنغهام 2 من الأعمال المعروضة في هذه الصفحة.

Copley Fielding: الفنان

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.