تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 123 أعمال لـ بارتولومايوس بروين الأكبر في كتالوجنا
باختصار
تُعد Portrait of a knight (1531) اللوحة الأكثر جذباً للأنظار للفنان بارتولومايوس بروين الأكبر؛ والنسخة الأصلية محفوظة في متحف الفنون التاريخية، فيينا. بعد ذلك، تتجه العين إلى Portrait of Wilhelm Kannengiesser (1550) و Portrait of Elisabeth Bellinghausen (1530). من بين 123 من أعمال بارتولومايوس بروين الأكبر في كتالوجنا، تُعد هذه 100 الأعمال هي الأكثر شهرة، حيث تُعرض كل واحدة منها كعمل أصلي فريد مع سنة إنتاجها، والمتحف الذي تضمّه، والسبب وراء خلودها.
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
To look upon this portrait is to encounter a moment of quiet intention from the year 1538. This is not a grand, sweeping scene, but an intimate half-length study of Elisabeth Bellinghausen, rendered with the meticulous precision characteristic of the Northern Renaissance. She is presented against a deep, solid blue background that pushes her figure forward, making the textures of her attire feel almost tangible. There is a certain stillness…
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The sitter, Cardinal Bernhardus Clesius, is presented in a medium close-up, captured from the waist up against a deep green backdrop. His expression is solemn and contemplative, projecting a sense of gravity and ecclesiastical weight. He is draped in heavy, saturated red robes and a matching cap, the folds of which are defined by sharp, purposeful lines that suggest the substantial weight of silk or satin. Light enters from the…
The work titled Portrait of a young man holding gloves presents a quiet study of identity. Created by the artist Bartholomaeus Bruyn The Elder, the painting captures a single figure in a moment of stillness. The subject is a young man, his presence defined by the weight of his dark attire and the steady gaze directed toward the viewer. He holds gloves, a small detail that anchors the composition and…
The portrait presents a woman in a medium close-up, positioned slightly off-center and facing toward the left. She is depicted against a dark, undifferentiated background that pushes her figure into the foreground. Her attire consists of a heavy black gown and a white headpiece that creates sharp, defined folds. Around her neck, a delicate white ruff or pleated linen collar provides a textural contrast to the smooth, dark fabric of…
In this oil on panel, titled Virgin and Child with Saint Anne, Saint Gereon, and a Donor, we encounter a significant example of the German Renaissance. The work is attributed to Bartholomaeus Bruyn the Elder, a painter who was active in Cologne. Measuring 78.4 x 57.9cm, the panel presents a complex arrangement of figures that bridges the gap between the divine and the earthly through its specific iconographic program.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
The composition is a dense, multi-layered arrangement that fills the frame from foreground to background. At the center of this celestial and earthly convergence lies the infant Jesus, whose presence emanates a divine light that cuts through the nocturnal shadows. Surrounding the manger are the Virgin Mary, Joseph, and various angels, all rendered with the meticulous detail characteristic of the German Renaissance. The scene is framed by the sharp architectural…
Virgin and Child with Saint Margaret and Dorothy and angels playing music1517 · مجموعات بافاريا الحكومية للرسم
12
Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors1517 · مجموعات بافاريا الحكومية للرسم
13
Pietà1514 · المتحف الوطني في وارسو
14
Cyriacus Cycle: Saint Cyriacus Baptizes Arthemia1532 · مجموعات بافاريا الحكومية للرسم
15
Lamentation Altarpiece, Outer Wing: Saint Suitbert1531 · مجموعات بافاريا الحكومية للرسم
16
Cyriacus Cycle: Death of Saint Cyriacus1532 · مجموعات بافاريا الحكومية للرسم
17
Cyriakus Cycle: Saint Cyriacus is Welcomed by the Persian King1532 · مجموعات بافاريا الحكومية للرسم
18
Lamentation Altarpiece: Saint Stephen with the Donor Stephan Vell von Wevelinghoven1531 · مجموعات بافاريا الحكومية للرسم
19
Lamentation Altarpiece: A Saint with the Donor Bernhard (?) von Huchtenbroich1531 · مجموعات بافاريا الحكومية للرسم
20
Lamentation Altarpiece, Outer Wing: Saint Kunibert1531 · مجموعات بافاريا الحكومية للرسم
21
Cyriakus Cycle: Emperor Diocletian Shakes Hands with Saint Cyricus1532 · مجموعات بافاريا الحكومية للرسم
22
Cyriacus Cycle: Saint Cyriacus Delivers Jobia from the Evil Spirit1532 · مجموعات بافاريا الحكومية للرسم
23
Christ Bids Farewell to His Mother1532 · Wallraf-Richartz-Museum
24
Sybilla von Aich, born Reidt, with four daughters1520 · مجموعات بافاريا الحكومية للرسم
25
Christ carrying the cross1520 · مجموعات بافاريا الحكومية للرسم
26
Donor image of the Cologne patrician family Rinck: Virgin Mary1530 · مجموعات بافاريا الحكومية للرسم
27
Donor image of the Cologne patrician family Rinck: Saint Anne1530 · مجموعات بافاريا الحكومية للرسم
28
Johann von Aich, mayor of Cologne, with his two sons1520 · مجموعات بافاريا الحكومية للرسم
29
The lamentation of Christ1531 · مجموعات بافاريا الحكومية للرسم
30
The martyrdom of Saint Cyriacus1532 · مجموعات بافاريا الحكومية للرسم
31
Wing of an Altarpiece: Saint Catherine and a Donor1521 · مجموعات بافاريا الحكومية للرسم
32
Portrait Diptych of Johann von Rolinxwerth and his Wife, Christine von Sternberg1529 · Mauritshuis
33
Saint Barbara1520
34
Saint Bartholomew1520
35
Adoration of the Magi1525 · المتحف الوطني للفنون الجميلة
36
Christ appearing to Mary Magdalene1520 · المتحف الوطني في وارسو
37
The Annunciation1520 · المتحف الوطني في وارسو
38
The Nativity1520 · متحف ثيسين بورنيميزا
39
Portrait of a Young Man1528 · المتحف الملكي للفنون الجميلة في أنتويرب
40
Crucifixion1532 · Wallraf-Richartz-Museum
41
Homo bulla: A Boy Blowing Bubbles1532 · Germanisches Nationalmuseum
42
Adoration of the magi1532 · Wallraf-Richartz-Museum
43
Mary with the child, adored by the Duke of Cleves1528 · Gemäldegalerie
44
Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern1528 · متاحف هارفارد للفنون
45
Christ appearing before Mary1520 · المتحف الوطني في وارسو
46
Portrait of a Woman with Rosary and Carnation1547 · Gemäldegalerie
47
Portrait of Chancellor Balthasar von Kerpen1535 · Kunstmuseum
48
Portrait of Sibylla Kessel1542 · Städel Museum
49
Portrait of Peter Heyman1542 · Städel Museum
50
Portrait of an unknown family: a father with his three sons1549 · مجموعات بافاريا الحكومية للرسم
51
Passion Altarpiece of the Siegen Family: Left Panels1540 · مجموعات بافاريا الحكومية للرسم
52
Passion Altarpiece of the Siegen Family: Right Panels1540 · مجموعات بافاريا الحكومية للرسم
53
Donor image of the Cologne patrician family Rinck: Christ Crowned with Thorns1540 · مجموعات بافاريا الحكومية للرسم
54
Passion Altarpiece of the Siegen family: Central Panel1540 · مجموعات بافاريا الحكومية للرسم
55
Margarethe von Aich (1517–1570)1540 · متحف الفنون الجميلة
56
Johann von Aich (1510–1549)1540 · متحف الفنون الجميلة
57
Man's portrait with armour, rear: child wifh skull1544 · Wallraf-Richartz-Museum
58
Portrait of a Woman1534 · Gemäldegalerie
59
Portrait of a Woman1537 · متاحف هارفارد للفنون
60
Portrait of a Man1537 · متاحف هارفارد للفنون
61
Portrait of a Man1550 · مجموعات بافاريا الحكومية للرسم
62
Rinck Altar II: Saint Benedict1550 · مجموعات بافاريا الحكومية للرسم
63
Saint Barbera and the donor Sibylla Rinck-Kannegießer1550 · مجموعات بافاريا الحكومية للرسم
64
Rinck-Altar II:Saint Catherine with donor Hermann Rinck1550 · مجموعات بافاريا الحكومية للرسم
65
Portrait of a Man with a Book1550 · Bonnefanten Museum
66
Lamentation over the dead Christ1550 · Musée des Beaux-Arts
67
Kreuzigungs-Triptychon, St. Andreas Köln1550
68
Portrait of a Woman1565 · Saint Louis Art Museum
69
Portrait of a Woman of the Slosgin Family of Cologne1557 · متحف المتروبوليتان للفنون
70
Portrait of a Young Woman with a Pink1660 · Walters Art Museum
71
Bacchus with putti1747 · متحف بلانتين-موريتوس
72
Portrait of Scholar Petrus von Clapis1528 · متحف الفنون الجميلة
73
Vanitas Still-lifeمتحف كرولر-مولر
74
Portrait of a Woman1539 · متحف ثيسين بورنيميزا
75
Portrait of a Woman1541 · معرض ييل الجامعي للفنون
76
German, )1493
77
Crucifixion of christ1515 · Böttcherstraße Museums
78
Portrait of a Woman1533 · متحف المتروبوليتان للفنون
79
Portrait of a Man1533 · متحف المتروبوليتان للفنون
80
Portrait of a Man with Three Sons1530 · متحف الإرميتاج
81
Burgomaster Arnold von Brauweiler1535 · Wallraf-Richartz-Museum
82
Crucifixion Altar: Emperor Henry II the Saintمجموعات بافاريا الحكومية للرسم
83
Crucifixion Altar: Saint Helenaمجموعات بافاريا الحكومية للرسم
84
Portrait of a Man (Vanitas Portrait)مجموعات بافاريا الحكومية للرسم
85
Appearance of the Risen Christ before Maryمجموعات بافاريا الحكومية للرسم
86
Crucifixion Altar: Saint Bishop (Lambertus of Liège?) with Foundressمجموعات بافاريا الحكومية للرسم
87
Portrait of Johannes Draconites
88
Resurrection of Christالمتحف الملكي للفنون الجميلة في أنتويرب
89
Portrait of a Manالمتحف الملكي للفنون الجميلة في أنتويرب
90
Portrait of a Womanالمتحف الملكي للفنون الجميلة في أنتويرب
91
Triptych with Donorsالمتحف الملكي للفنون الجميلة في أنتويرب
92
Portrait of a Manالمتحف الملكي للفنون الجميلة في أنتويرب
93
Portrait of a Lady
94
Portrait of a Man
95
Portrait of a clergymanالمتحف الوطني في وارسو
96
CATHERINE DE BOREمتحف كوندي
97
Saint Jérôme pénitent
98
PHILIPP VON GAILمتحف اللوفر
99
PORTRAIT D'HOMME AVERS
100
PORTRAIT DE FEMME
#9 Crucifixion Altar: Saint Agnes and Donor
#10 The Nativity with the Donors Peter von Clapis and Bela Bonenberg
#11 Virgin and Child with Saint Margaret and Dorothy and angels playing music
#12 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors
#13 Pietà
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال بارتولومايوس بروين الأكبر | لوحات من هذه القائمة |
|---|---|---|---|
 مجموعات بافاريا الحكومية للرسم |
ميونخ | 34 | Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music, Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors |
 المتحف الملكي للفنون الجميلة في أنتويرب |
أنتويرب | 6 | Portrait of a Young Man, Resurrection of Christ, Portrait of a Man |
 Wallraf-Richartz-Museum |
كولونيا | 7 | Christ Bids Farewell to His Mother, Crucifixion, Adoration of the magi |
 المتحف الوطني في وارسو |
وارسو | 5 | Pietà, Christ appearing to Mary Magdalene, The Annunciation |
 متحف الفنون التاريخية |
فيينا | 3 | Portrait of a knight, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves |
 Städel Museum |
فرانكفورت | 3 | The Nativity with the Donors Peter von Clapis and Bela Bonenberg, Portrait of Sibylla Kessel, Portrait of Peter Heyman |
 Gemäldegalerie |
برلين | 3 | Mary with the child, adored by the Duke of Cleves, Portrait of a Woman with Rosary and Carnation, Portrait of a Woman |
 متاحف هارفارد للفنون |
كامبريدج | 3 | Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern, Portrait of a Woman, Portrait of a Man |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
The artwork titled Portrait of a Woman with Rosary and Carnation is a painting by Bartholomaeus Bruyn the Elder. This work is dated 1547. The subject is presented in a half-length composition, positioned slightly off-center against a dark, muted green background. The sitter faces toward the left of the frame, wearing an elaborate headpiece of white and gold fabric with flowing white veils. Her attire consists of a black bodice…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
Portrait of a knight (1531)، متحف الفنون التاريخية, فيينا. ويليها Portrait of Wilhelm Kannengiesser (1550) وPortrait of Elisabeth Bellinghausen (1530).
عمر 38 عاماً: يعود تاريخ Portrait of a knight إلى 1531، وقد وُلد بارتولومايوس بروين الأكبر في 1493.
Portrait of a knight, Portrait of Wilhelm Kannengiesser, Portrait of Elisabeth Bellinghausen, Portrait of Margaretha von Mochau, wife of Gerhard von Westerburg, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves, Portrait of a Woman with a Prayer Book, Virgin and Child with Saint Anne, Saint Gereon, and a Donor, Crucifixion Altar: Saint Agnes and Donor و The Nativity with the Donors Peter von Clapis and Bela Bonenberg. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 123 من أعمال بارتولومايوس بروين الأكبر، التي يعود تاريخها من 1514 إلى 1550.
توجد غالبيتها في مجموعات بافاريا الحكومية للرسم (ميونخ), المتحف الملكي للفنون الجميلة في أنتويرب (أنتويرب) و Wallraf-Richartz-Museum (كولونيا). يدرج جدول المتاحف أعلاه جميعها.
في 1530s: تم إنجاز 29 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Portrait of a knight.
في هذه الصفحة، أقدم الأعمال يعود إلى Pietà (1514) وأحدثها يعود إلى Portrait of Wilhelm Kannengiesser (1550).
Man (40), Woman (34) و Landscape (20)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Panel، لـ 77 من أصل 100 من الأعمال في هذه الصفحة.
Northern renaissance، بناءً على الأعمال الأصلية في هذه الصفحة.
Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music و Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors: يضم مجموعات بافاريا الحكومية للرسم, ميونخ 34 من الأعمال المعروضة في هذه الصفحة.
