تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 10 أعمال لـ أنطونيو باديل الثالث في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها أنطونيو باديل الثالث، تُعد Polyptych of the Four Crowned Saints, Simplicius (1552) هي الأشهر، وهي ضمن مجموعة Castelvecchio Museum في فيرونا. تأتي بعدهما مباشرة كل من Portrait of an unknown woman (1550) و The Virgin and Child with Saint John the Baptist (1550). يضم كتالوجنا 10 من أعمال أنطونيو باديل الثالث؛ حيث احتفظ المعرض بـ 10 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 3 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال أنطونيو باديل الثالث | لوحات من هذه القائمة |
|---|---|---|---|
 Castelvecchio Museum |
فيرونا | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 متحف برادو |
مدريد | 1 | Portrait of an unknown woman |
 المتحف الوطني للفن والعمارة والتصميم |
أوسلو | 1 | Portrait of a Musician |
لم يتجاوز الأمر عقداً من الزمان، من 1550 إلى 1560، منح العالم كل لوحة أصلية مؤرخة لـ أنطونيو باديل الثالث في هذه المجموعة: إليكم إياها، عاماً تلو الآخر.
اختر سنة لعرض أعمالها الأصلية.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
المزيد من 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
المزيد من 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552)، Castelvecchio Museum, فيرونا. ويليها Portrait of an unknown woman (1550) وThe Virgin and Child with Saint John the Baptist (1550).
عمر 34 عاماً: يعود تاريخ Polyptych of the Four Crowned Saints, Simplicius إلى 1552، وقد وُلد أنطونيو باديل الثالث في 1518.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel و Saints Cecilia, Tiburtius, Valerian. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 10 من أعمال أنطونيو باديل الثالث، التي يعود تاريخها من 1550 إلى 1560.
توجد غالبيتها في Castelvecchio Museum (فيرونا), متحف برادو (مدريد) و المتحف الوطني للفن والعمارة والتصميم (أوسلو). يدرج جدول المتاحف أعلاه جميعها.
في 1552: تم إنجاز 4 من أصل 10 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Polyptych of the Four Crowned Saints, Simplicius.
في هذه الصفحة، أقدم الأعمال يعود إلى Portrait of an unknown woman (1550) وأحدثها يعود إلى Tobias and the Angel (1560).
Man (2), Drapery (2) و Woman (2)، عبر 10 من الأعمال في هذه الصفحة.
Oil On Canvas، لـ 3 من أصل 10 من الأعمال في هذه الصفحة.
Renaissance، بناءً على الأعمال الأصلية في هذه الصفحة.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia و Polyptych of the Four Crowned Saints, Claudius: يضم Castelvecchio Museum, فيرونا 7 من الأعمال المعروضة في هذه الصفحة.
