The mocking of Christ
The light fades into the dark.
باختصار
تُعد The mocking of Christ (1699) اللوحة الأكثر جذباً للأنظار للفنان Anthoni Schoonjans؛ والنسخة الأصلية محفوظة في متحف الفنون التاريخية، فيينا. بعد ذلك، تتجه العين إلى The Apple of Eris (1690) و Portrait of an unknown lady (1690). من بين 15 من أعمال Anthoni Schoonjans في كتالوجنا، تُعد هذه 15 الأعمال هي الأكثر شهرة، حيث تُعرض كل واحدة منها كعمل أصلي فريد مع سنة إنتاجها، والمتحف الذي تضمّه، والسبب وراء خلودها.
المتاحف الـ 3 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال Anthoni Schoonjans | لوحات من هذه القائمة |
|---|---|---|---|
| ميونخ | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| فيينا | 2 | The mocking of Christ, Vestal virgins | |
| برلين | 1 | Portrait of crown prince Frederick William as David with a sling |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The light fades into the dark.
The mocking of Christ (1699)، متحف الفنون التاريخية, فيينا. ويليها The Apple of Eris (1690) وPortrait of an unknown lady (1690).
عمر 44 عاماً: يعود تاريخ The mocking of Christ إلى 1699، وقد وُلد Anthoni Schoonjans في 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew و Elector Johann Wilhelm on Horseback. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 15 من أعمال Anthoni Schoonjans، التي يعود تاريخها من 1690 إلى 1716.
توجد غالبيتها في مجموعات بافاريا الحكومية للرسم (ميونخ), متحف الفنون التاريخية (فيينا) و قصر شارلوتنبورغ (برلين). يدرج جدول المتاحف أعلاه جميعها.
في 1690s: تم إنجاز 10 من أصل 15 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها The mocking of Christ.
في هذه الصفحة، أقدم الأعمال يعود إلى The Apple of Eris (1690) وأحدثها يعود إلى Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil، لـ 2 من أصل 15 من الأعمال في هذه الصفحة.
The Apple of Eris, Portrait of an unknown lady و Jacob blames Laban of his deception with Lea (Genesis 29:25-27): يضم مجموعات بافاريا الحكومية للرسم, ميونخ 11 من الأعمال المعروضة في هذه الصفحة.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.