تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 48 أعمال لـ أبانيندراناث طاغور في كتالوجنا
باختصار
من بين جميع الأعمال الأصلية التي تركها أبانيندراناث طاغور، تُعد بهارات ماتا (1905) هي الأشهر، وهي ضمن مجموعة Victoria Memorial Hall في كلكتا. تأتي بعدهما مباشرة كل من My mother (1912) و Arab (1887). يضم كتالوجنا 48 من أعمال أبانيندراناث طاغور؛ حيث احتفظ المعرض بـ 47 من أكثر الأعمال التي يعجب بها العالم، مع عرض كل منها مع تاريخها ومتحفها وقصتها.
تُعد اللوحة التي تحمل عنوان "بهارات ماتا" عملاً إبداعياً للفنان الهندي أبانيندراناث طاغور. وقد رُسمت هذه اللوحة في عام 1905، وهي تقدم تجسيداً للهند في هيئة إلهة، حيث تستمد هذه الصورة البصرية أسسها من وصف الأمة الوارد في نص "أنانادامات". ومن هذا المفهوم الأدبي للأرض الأم التي تجسدت في صورة ملموسة، تبرز هذه الشخصية المهيبة.
The portrait known as My mother emerges from the shadows, a quiet presence captured by the hand of Abanindranath Tagore. This intimate work presents an elderly woman shown in profile, her features softened by a sense of memory and reverence. The artist, who lived from 1871 to 1951, focuses the viewer's attention on the dignity of the subject, creating a moment of stillness that feels suspended in time. There is…
This work, titled Arab, was created by the artist Abanindranath Tagore. It is a significant piece from his extensive body of work, reflecting the individual vision of a man who was born in 1871 in Kolkata, India. Throughout his life, which concluded in 1951, Tagore remained a central figure in the evolution of Indian modernism, moving away from Western academic models to find a distinct visual language.
In this quiet moment of observation, we encounter Untitled, a profile portrait sketch by the artist Abanindranath Tagore. The subject, a middle-aged man, gazes outward from a side view, his features captured in a state of calm contemplation. There is a sense of stillness in his posture, as if he has just paused in thought, allowing the artist to trace the contours of his character.
The watercolor painting titled Rabindranath in the role of 'blind singer' was created by Abanindranath Tagore. This work dates to about 1916. It emerged from the hands of a man born into the distinguished Tagore family of Kolkata, India.
In "The Final Release" by Abanindranath Tagore, we find ourselves witnessing a quiet, ritualistic moment. The scene depicts a group of Buddhist monks gathered in solemn observation. They are positioned toward the right side of the frame, their forms oriented toward a large, vertical mass of light and smoke rising on the left. This asymmetrical arrangement directs the viewer's gaze across the void between the observers and the source of…
Abanindranath Tagore presents Buddha as mendicant in this vertically oriented portrait from about 1914. The composition centers on a single figure positioned slightly to the right of the frame, creating a sense of quiet presence. Captured from a straightforward, eye-level perspective, the subject is shown in a state of mendicancy, holding an alms bowl in one hand. This posture emphasizes the spiritual stillness of the monk.
Abanindranath Tagore’s Departure of Prince Siddhartha, created about 1914, presents an intimate, close-up scene centered on a pivotal moment of renunciation and spiritual transition. The composition utilizes a side profile view to establish a sense of quiet movement. Within this frame, the profile of Prince Siddhartha is positioned alongside the head of his horse, Kanthaka. A subtle halo emanates from behind the Prince's head, providing a focal point that emphasizes…
is a painting by the artist Abanindranath Tagore. Created about 1930, this work belongs to the artist's Arabian Nights series. This collection of paintings remains among the finest achievements of his career.
Portrait of a woman.Victoria Memorial Hall
12
UntitledVictoria Memorial Hall
13
Idealized self portraitVictoria Memorial Hall
14
Untitled (ARCD2H)1908
15
Untitled (ARCD2K)1908 · المتحف الهندي
16
Abul Hassanمتحف لاهور
17
My Mother1913
18
Natir PujaVictoria Memorial Hall
19
Three sailing boatsVictoria Memorial Hall
20
Rohini IIVictoria Memorial Hall
21
HillscapeVictoria Memorial Hall
22
Landscape (Shorbon)Victoria Memorial Hall
23
White peacockVictoria Memorial Hall
24
Village MusicVictoria Memorial Hall
25
Scenery of RanchiVictoria Memorial Hall
26
Bird on a treeVictoria Memorial Hall
27
English PigeonVictoria Memorial Hall
28
Deer runningVictoria Memorial Hall
29
Bear and DogVictoria Memorial Hall
30
UntitledVictoria Memorial Hall
31
Study of treesVictoria Memorial Hall
32
Design Alphabet in Bengali - in the shape of a fishVictoria Memorial Hall
33
Design Alphabet in Bengali - in the shape of a birdVictoria Memorial Hall
34
Design Alphabet in Bengali - two alphabets in the shape of two birdsVictoria Memorial Hall
35
Study of a pheasantVictoria Memorial Hall
36
Old house and a boatVictoria Memorial Hall
37
Rohini VVictoria Memorial Hall
38
Khagen BabuVictoria Memorial Hall
39
Palm impression of the right hand of A.N. TagoreVictoria Memorial Hall
40
Maa Parvati, showing the mouse and playing with Baba GaneshVictoria Memorial Hall
41
Portrait of Rabindranath TagoreVictoria Memorial Hall
42
PavilionVictoria Memorial Hall
43
Season flower in a vaseVictoria Memorial Hall
44
الانتصار البوذيمتحف لاهور
45
Mask: Dinendranath TagoreVictoria Memorial Hall
46
Journey1913 · National Gallery of Modern Art
47
Passing of ShajahanVictoria Memorial Hall
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 4 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال أبانيندراناث طاغور | لوحات من هذه القائمة |
|---|---|---|---|
 Victoria Memorial Hall |
كلكتا | 37 | بهارات ماتا, Arab, Untitled |
 National Gallery of Modern Art |
نيودلهي | 2 | My mother, Journey |
 متحف لاهور |
لاهور | 2 | Abul Hassan, الانتصار البوذي |
 المتحف الهندي |
كلكتا | 1 | Untitled (ARCD2K) |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
This work, titled Arab, was created by the artist Abanindranath Tagore. It is a significant piece from his extensive body of work, reflecting the individual vision of a man who was born in 1871 in Kolkata, India. Throughout his life, which concluded in 1951, Tagore remained a central figure in the evolution of Indian modernism, moving away from Western academic models to find a distinct visual language.
In this quiet moment of observation, we encounter Untitled, a profile portrait sketch by the artist Abanindranath Tagore. The subject, a middle-aged man, gazes outward from a side view, his features captured in a state of calm contemplation. There is a sense of stillness in his posture, as if he has just paused in thought, allowing the artist to trace the contours of his character.
تُعد اللوحة التي تحمل عنوان "بهارات ماتا" عملاً إبداعياً للفنان الهندي أبانيندراناث طاغور. وقد رُسمت هذه اللوحة في عام 1905، وهي تقدم تجسيداً للهند في هيئة إلهة، حيث تستمد هذه الصورة البصرية أسسها من وصف الأمة الوارد في نص "أنانادامات". ومن هذا المفهوم الأدبي للأرض الأم التي تجسدت في صورة ملموسة، تبرز هذه الشخصية المهيبة.
The portrait known as My mother emerges from the shadows, a quiet presence captured by the hand of Abanindranath Tagore. This intimate work presents an elderly woman shown in profile, her features softened by a sense of memory and reverence. The artist, who lived from 1871 to 1951, focuses the viewer's attention on the dignity of the subject, creating a moment of stillness that feels suspended in time. There is…
is a painting by the artist Abanindranath Tagore. Created about 1930, this work belongs to the artist's Arabian Nights series. This collection of paintings remains among the finest achievements of his career.
بهارات ماتا (1905)، Victoria Memorial Hall, كلكتا. ويليها My mother (1912) وArab (1887).
عمر 34 عاماً: يعود تاريخ بهارات ماتا إلى 1905، وقد وُلد أبانيندراناث طاغور في 1871.
بهارات ماتا, My mother, Arab, Untitled, Rabindranath in the role of 'blind singer', The Final Release, Buddha as mendicant, Departure of Prince Siddhartha, Sindbad the Sailor و Mother and Child. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 48 من أعمال أبانيندراناث طاغور، التي يعود تاريخها من 1887 إلى 1930.
توجد غالبيتها في Victoria Memorial Hall (كلكتا), National Gallery of Modern Art (نيودلهي) و متحف لاهور (لاهور). يدرج جدول المتاحف أعلاه جميعها.
في 1910s: تم إنجاز 7 من أصل 47 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها My mother.
في هذه الصفحة، أقدم الأعمال يعود إلى Arab (1887) وأحدثها يعود إلى Sindbad the Sailor (1930).
Mughal influence (5), Tagore (5) و Profile (4)، عبر 47 من الأعمال في هذه الصفحة.
Watercolor، لـ 6 من أصل 47 من الأعمال في هذه الصفحة.
Bengal school و Bengal school of art، بناءً على الأعمال الأصلية في هذه الصفحة.
بهارات ماتا, Arab و Untitled: يضم Victoria Memorial Hall, كلكتا 37 من الأعمال المعروضة في هذه الصفحة.
