فترة زمنية

حركة

1. Male Nude Study (red chalk) — مايكل أنجلو
2. Two Nude Studies of a Man Storming Forward and Another Turning to the Right (verso), c. 1504 — مايكل أنجلو, 1504
3. Study of God the Father — رافايلو, 1515
4. Madonna Studies — رافايلو, 1513
5. A Kneeling Nude Woman with her Left Arm Raised — رافائيل كويكسي, 1518
6. Study for the Holy Family — رافايلو, 1518
7. Study of nudes — لوكا سيНьوريلي, 1500

طابع

1. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — فيديريكو باروتشي, 1579
2. Two Nude Studies of a Man Storming Forward and Another Turning to the Right (verso), c. 1504 — مايكل أنجلو, 1504

مواضيع

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — فيديريكو باروتشي, 1583
2. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — فيديريكو باروتشي, 1583
3. A Kneeling Nude Woman with her Left Arm Raised — رافائيل كويكسي, 1518

الكلمات المفتاحية

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — فيديريكو باروتشي, 1583
2. Study of nudes — لوكا سيНьوريلي, 1500

نبرة

1. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — فيديريكو باروتشي, 1583

اللون الأساسي

1. Madonna Studies — رافايلو, 1513
2. Two Nude Studies of a Man Storming Forward and Another Turning to the Right (verso), c. 1504 — مايكل أنجلو, 1504
3. A Kneeling Nude Woman with her Left Arm Raised — رافائيل كويكسي, 1518
4. Study for the Holy Family — رافايلو, 1518
5. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — فيديريكو باروتشي, 1583
6. One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) — فيديريكو باروتشي, 1583
7. Study of God the Father — رافايلو, 1515
8. Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies — فيديريكو باروتشي, 1579

أخرى