فترة زمنية
حركة
طابع
مواضيع
الكلمات المفتاحية
نبرة
اللون الأساسي
- راكب عارٍ يمتطي حصان ورجل عارٍ (الوجهة الخلفية)
- recto: Female nude; verso: Seated female nude with hair mesh\n\nFront
- Nudes in the Open Air (also known as Nudes under Trees)
- One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)
- Standing Nude (Nude Study)
- Reclining Nude, Head Resting on Right Arm (also known as Nude on a Couch)
- Reclining Nude on a Blue Cushion (also known as Red Nude)
- Two Female Nudes; Seated Male Nude; Three Equestrian Figures
- Nudes (also known as Two Lying Nudes)
- Nude Study (Nude Female from the Back)
- Nude in Window (also known as Seated Female, Semi-Nude)
- Nude Outdoors (also known as Nude Woman on the Lawn)
- Nude Study (also known as Female Nude)
- الاستلقاء شبه العاري
- Soft Nude (Nude Watch), circa 1928
- A Male Nude Study; And A Female Nude Study
- Sleeping Nude with Arms Open (Red Nude)
- إن لوحة "الجسد النحيل الوردي، أو الجسد المأخوذ جالداً" ل هنري ماتيس هي تحفة فنية تجسد ثورة الفوفية في استخدام الألوان. تتميز اللوحة بتركيزها على الشكل المجرد للألوان الزاهية، حيث يغلب الإحساس العاطفي على الدقة الواقعية. يعكس وجود طائرين و لوحة ركوب الأموا