معاينة الحجم الحقيقي
التحويل للنسخة المطبوعة
مشاركة
مشاركة
تحميل الملف
قطع مشابهة
الأشعة السينية
عرض شرائحLe Pardon
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
Sergei Eisenstein (1898 – 1979)
Sergei Eisenstein (1898-1948): Revolutionary Soviet filmmaker & theorist. Pioneer of montage editing, creator of iconic films like Battleship Potemkin & Ivan the Terrible.
حول هذا العمل الفني
- العنوان: Le Pardon
- الفنان: Sergei Eisenstein
- حالة حقوق النشر: محمي بموجب حقوق الطبع والنشر
- سياق المتن: christian & pagan fusion , social immortality theme
- الكلمات المفتاحية: soviet art sketch , russian expressionism , black ink drawing
- مواضيع: mythological figures , religious symbolism , soviet art influence
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