تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 483 أعمال لـ بيترو بيروجينو في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Pietà (1494) أشهر لوحات بيترو بيروجينو، والتي تُعرض لوحتها الأصلية في معرض أوفيزي، فلورنسا. Portrait of Baldassare Vallombrosano (1500) و The Madonna between St John the Baptist and St Sebastian (1493) يكملان الثلاثية التي تدركها كل عين. من بين 483 من أعمال بيترو بيروجينو في كتالوجنا، يعرض المعرض أدناه 100 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
To stand before this magnificent Pietà is to be enveloped in an atmosphere of sublime grief and transcendent beauty. This 1494 masterpiece by Pietro Vannucci, known affectionately as Le Perugino, does not merely depict a scene; it captures the very moment where divine suffering meets profound human sorrow. The composition centers on Mary cradling the lifeless body of Jesus, a tableau so emotionally charged that it has resonated with viewers…
Pietro Vannucci, universally recognized as Le Perugino—a moniker derived from his Umbrian hometown—stands as a cornerstone of the Florentine Renaissance, securing his place among Italy’s most revered painters. Born circa 1446 in Perugia, he ascended to artistic prominence swiftly, establishing himself as a prolific artist whose tranquil portrayals of Mary and Jesus resonated profoundly across Europe.
To stand before this magnificent depiction of The Madonna between St John the Baptist and St Sebastian is to step directly into the luminous heart of the Italian Renaissance. It is a composition that transcends mere portraiture; it is a profound meditation on divinity, human connection, and spiritual guardianship. Pietro Vannucci, known to history as Le Perugino, masterfully captures a moment of sublime grace. At its core lies Mary, cradling…
In the quiet, luminous moments captured within The Baptism of Christ, we are transported back to the dawn of the sixteenth century, a period where the spiritual and the earthly converged through the brushstrokes of masters. Painted around 1510 by the esteemed Vannucci Pietro, known affectionately as Le Perugino, this masterpiece serves as a profound window into the soul of the Florentine Renaissance. The scene depicts the pivotal theological moment…
To gaze upon this detail from the Madonna with Child and the Infant St John is to step directly into the hushed, luminous world of the Early Italian Renaissance. It is an encounter with idealized beauty, a moment suspended in time where spiritual contemplation meets breathtaking artistry. The composition centers on a young woman whose presence radiates a profound, almost palpable serenity. Her long, flowing red hair seems less like…
To gaze upon this detail from Vannucci Pietro's masterpiece, Christ Handing the Keys to St Peter, is to step directly into the hallowed atmosphere of the Sistine Chapel itself. This work, executed in 1481, transcends mere depiction; it captures a pivotal moment of divine mandate—the symbolic transfer of ultimate spiritual authority. The scene resonates with an almost palpable gravity, inviting the viewer not just to observe art, but to contemplate…
To gaze upon this detail from The Madonna between St John the Baptist and St Sebastian is to step directly into the luminous heart of the Italian Renaissance. It is more than just paint on canvas; it is a captured moment of profound spiritual connection, rendered with an almost breathtaking tenderness. Pietro Vannucci, known to history as Le Perugino, masterfully composed this scene, creating an atmosphere that feels both sacredly…
In the quiet, luminous atmosphere of the High Renaissance, few works capture the sacred solemnity of devotion as gracefully as Pietro Perugino’s Marriage of the Virgin. Painted in 1504, this monumental panel serves as a window into a world where the earthly and the divine intersect with profound harmony. The scene unfolds within an expansive, classical architectural setting—a majestic pavilion that evokes the grandeur of ancient Rome while maintaining the…
A man gazes into the distance, his presence commanding the space with a quiet, heavy dignity. He wears a crimson robe that catches the light, the fabric appearing thick and weighted, falling in deep, sculptural folds around his frame. A red hat rests upon his head, its sharp angles contrasting with the soft, organic curves of his face. Around his neck, a rosary hangs, a silent reminder of the piety…
To stand before this monumental fresco is to step directly into the heart of Christian doctrine and artistic genius. Vannucci Pietro, known to history as Le Perugin, captured a moment of profound spiritual transfer in 1481 with this breathtaking depiction: Christ handing the keys to Saint Peter. It is more than just a painting; it is a visual sermon rendered in pigment and plaster, radiating the serene authority characteristic of…
The Galitzin Triptych1481 · المعرض الوطني للفنون
12
Nativity1504 · Accademia Carrara
13![The Madonna between St. John the Baptist and St. Sebastian [detail] (1493) للفنان بيترو بيروجينو](/media/artworks/images-thumb/f0/3a/f03a20887bc1e56ffa9a705ad2276cb8.jpg)
The Madonna between St. John the Baptist and St. Sebastian [detail]1493 · معرض أوفيزي
14
Assumption of the Virgin1506 · سانتيسيما أنونزياتا
15
Virgin and Child between Sts John the Baptist and Catherine1500 · متحف اللوفر
16
رحلة موسى إلى مصر وعربية ابن إليعازر (تفصيل)1482 · كابيلا سيستين
17
Madonna with Child1501 · المعرض الوطني للفنون
18
Madonna with Child and Little St. John1497 · Städelsche Kunstinstitut Und Städtische Galerie
19
Nativity (Il Presepio)1506 · Galleria Nazionale dell'Umbria
20
Madonna with Child and Little St John1505 · المعرض الوطني
21
Christ Handing the Keys to St Peter (detail)1481 · كابيلا سيستين
22
Baptism of Christ1482 · كابيلا سيستين
23
Bust of St Sebastian1493 · متحف الإرميتاج
24
St Sebastian1495 · متحف اللوفر
25
Piet1494 · معرض أوفيزي
26
Christ Handing the Keys to St Peter (detail)1481 · كابيلا سيستين
27
The Vision of St Bernard1493 · Alte Pinakothek
28
The Crucifixion1496
29
Moses's Journey into Egypt and the Circumcision of His Son Eliezer (detail)1482 · كابيلا سيستين
30
Virgin and Child Enthroned with Angels and Saints1490 · متحف اللوفر
31
St. Mary Magdalene1500
32
The Virgin and Child Surrounded by Two Angels, St. Rose, and St. Catherineمتحف اللوفر
33
إعطاء المفاتيح للقديس بطرس1481 · كابيلا سيستين
34
Prayer in the Garden1492 · معرض أوفيزي
35
إعطاء المفاتيح لبطرس المسيح (تفصيل ٢)1481 · كابيلا سيستين
36
The Madonna between St. John the Baptist and St. Sebastian1493 · معرض أوفيزي
37
Madonna in Glory with the Child and Saints1495 · Pinacoteca Nazionale
38
The Virgin and Child in a Mandorla with Cherubim1525 · المعرض الوطني
39
Apollo and Marsyas1495 · متحف اللوفر
40
Socrates1497 · معرض أوفيزي
41
Madonna and Childغاليريا بورغيزي
42
Combat of Love and Chastity (detail)1505 · متحف اللوفر
43
Moses's Journey into Egypt and the Circumcision of His Son Eliezer (detail)1482 · كابيلا سيستين
44
Moses's Journey into Egypt and the Circumcision of His Son Eliezer (detail)1482 · كابيلا سيستين
45
Noli Me Tangere1506 · معهد شيكاغو للفنون
46
Portrait of Francesco delle Opere1494 · معرض أوفيزي
47
Pericles1497 · معرض أوفيزي
48
LA VIERGE ET L'ENFANT ENTOURES DE SAINT JEAN BAPTISTE ( ) ET DE SAINTE CATHERINEمتحف اللوفر
49
Don Biagio Milanesi1499 · معرض أوفيزي
50
Mary with Child with Saint John the Baptist and Jerome1484 · مجموعات بافاريا الحكومية للرسم
51
Holy Family1484 · مجموعات بافاريا الحكومية للرسم
52
Resurrection of Christ1484 · مجموعات بافاريا الحكومية للرسم
53
Baptism of Christ1484 · مجموعات بافاريا الحكومية للرسم
54
Saint Jerome in Penitence1482 · Royal Collection
55
Madonna with Children and St.John1485 · المعرض الوطني
56
The Lamentation over the Dead Christ1495 · National Gallery of Ireland
57
Saint Jerome1500
58
adorazione del bambino1500 · مجموعات بافاريا الحكومية للرسم
59
The Virgin and Child with two Angels1500 · Gemäldegalerie
60
The Virgin Adoring the Child with John the Baptist as a Child and two Angels1500 · Gemäldegalerie
61
Christ in the tomb1500 · Gemäldegalerie
62
The church father Augustine in glory with two angels and the saints Benedict and Bernhard (reliquary)1500 · Gemäldegalerie
63
Venus and Cupid1500
64
Cumaean Sibyl1500
65
Polyptych of St. Peter (San Pietro Vincioli)1500
66
Polyptych of St. Peter (San Placido)1500
67
View of the Sala di Udienza1497 · Collegio del Cambio
68
Famous Men of Antiquity (detail) (9)1497 · Collegio del Cambio
69
Virgin and Child1515 · Fitzwilliam Museum
70
Christ and the Woman of Samaria1506 · معهد شيكاغو للفنون
71
The Nativity with Saint Bridget1510 · Manchester Art Gallery
72
The Presentation in the Temple1510 · Manchester Art Gallery
73
The Annunciation1510 · Manchester Art Gallery
74
Madonna of Mercy with the saints and Stephen Jerome1512
75
Madonna and Child1520 · Walters Art Museum
76
The Nativity: The Virgin, Saint Joseph and the Shepherds Adoring the Infant Christ1522 · متحف فيكتوريا وألبرت
77
Trinity and Six Saints1521
78
Madonna delle Grazie1522
79
The Holy Family1494 · Statens Museum For Kunst
80
The Vision of St Bernard (detail)1493 · Alte Pinakothek
81
Madonna, the Infant St. John and an angel, worshiping the Christ Child1510 · Städel Museum
82
Saint Placidus1495 · بيناكوتيكا الفاتيكان
83
Combat of Love and Chastity (detail)1505 · متحف اللوفر
84
Praying for a Cup1495
85
The Miracles of San Bernardino: The Healing of a Mute1473 · Galleria Nazionale dell'Umbria
86
Polyptych of Certosa di Pavia (details)1499 · المعرض الوطني
87
Prophets and Sibyls (detail)1497 · Collegio del Cambio
88
St Sebastianمتحف اللوفر
89
The Adoration of the Magi (particular detail)1470
90
God the Creator and Angels1508
91
Saint Flavia1495 · بيناكوتيكا الفاتيكان
92
The Baptism of Christ1835 · المعرض الوطني
93
Baptism of Christ (detail)1482 · كابيلا سيستين
94
The Miracles of San Bernardino: The Healing of a Young Girl (detail)1473 · Galleria Nazionale dell'Umbria
95
St Nicholas of Tolentino1507 · غاليريا نازيونال د آرت آنتيكا
96
Prophets and Sibyls (detail)1497 · Collegio del Cambio
97
Madonna Enthroned with St. John the Tufer and St. Sebastian (detail)1493 · معرض أوفيزي
98
Portrait of Don Biagio Milanesi1500 · معرض أوفيزي
99
The Miracles of San Bernardino: The Healing of a Young1473
100
Tobias with the Angel Raphael1500 · المعرض الوطني
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال بيترو بيروجينو | لوحات من هذه القائمة |
|---|---|---|---|
 معرض أوفيزي |
فلورنسا | 21 | Pietà, Portrait of Baldassare Vallombrosano, The Madonna between St John the Baptist and St Sebastian |
 كابيلا سيستين |
مدينة الفاتيكان | 20 | Christ Handing the Keys to St Peter (detail), Christ Handing the Keys to St. Peter, رحلة موسى إلى مصر وعربية ابن إليعازر (تفصيل) |
 متحف اللوفر |
باريس | 18 | Virgin and Child between Sts John the Baptist and Catherine, St Sebastian, Virgin and Child Enthroned with Angels and Saints |
 المعرض الوطني |
لندن | 11 | Madonna with Child and the Infant St John (detail), Madonna with Child and Little St John, The Virgin and Child in a Mandorla with Cherubim |
 مجموعات بافاريا الحكومية للرسم |
ميونخ | 5 | Mary with Child with Saint John the Baptist and Jerome, Holy Family, Resurrection of Christ |
 Collegio del Cambio |
بيروجيا | 27 | View of the Sala di Udienza, Famous Men of Antiquity (detail) (9), Prophets and Sibyls (detail) |
 Galleria Nazionale dell'Umbria |
بيروجيا | 23 | The Baptism of Christ, Nativity (Il Presepio), The Miracles of San Bernardino: The Healing of a Mute |
 Gemäldegalerie |
برلين | 5 | The Virgin and Child with two Angels, The Virgin Adoring the Child with John the Baptist as a Child and two Angels, Christ in the tomb |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The painting The Miracles of San Bernardino: The Healing of a Mute is a tempera work created in 1473. The scene depicts a man lying on his side with his hands clasped together. He is surrounded by several people who appear to be observing or participating in the event. Some of these figures are standing while others are kneeling down. On the left side of the painting, a cup is…
To gaze upon this detail from Vannucci Pietro's masterpiece, Christ Handing the Keys to St Peter, is to step directly into the hallowed atmosphere of the Sistine Chapel itself. This work, executed in 1481, transcends mere depiction; it captures a pivotal moment of divine mandate—the symbolic transfer of ultimate spiritual authority. The scene resonates with an almost palpable gravity, inviting the viewer not just to observe art, but to contemplate…
To stand before this magnificent Pietà is to be enveloped in an atmosphere of sublime grief and transcendent beauty. This 1494 masterpiece by Pietro Vannucci, known affectionately as Le Perugino, does not merely depict a scene; it captures the very moment where divine suffering meets profound human sorrow. The composition centers on Mary cradling the lifeless body of Jesus, a tableau so emotionally charged that it has resonated with viewers…
Pietro Vannucci, universally recognized as Le Perugino—a moniker derived from his Umbrian hometown—stands as a cornerstone of the Florentine Renaissance, securing his place among Italy’s most revered painters. Born circa 1446 in Perugia, he ascended to artistic prominence swiftly, establishing himself as a prolific artist whose tranquil portrayals of Mary and Jesus resonated profoundly across Europe.
In the quiet, luminous moments captured within The Baptism of Christ, we are transported back to the dawn of the sixteenth century, a period where the spiritual and the earthly converged through the brushstrokes of masters. Painted around 1510 by the esteemed Vannucci Pietro, known affectionately as Le Perugino, this masterpiece serves as a profound window into the soul of the Florentine Renaissance. The scene depicts the pivotal theological moment…
In this serene oil painting, we find ourselves drawn into a tranquil landscape where the Madonna and Child are positioned with a graceful, pyramidal stability. The composition centers on the two figures, with the Madonna set slightly off-center, creating a sense of movement within a balanced structure. Her garments, rendered in deep blues and rich reds, provide a heavy, tactile contrast to the soft greens and earthy browns of the…
Pietà (1494)، معرض أوفيزي, فلورنسا. ويليها Portrait of Baldassare Vallombrosano (1500) وThe Madonna between St John the Baptist and St Sebastian (1493).
عمر 46 عاماً: يعود تاريخ Pietà إلى 1494، وقد وُلد بيترو بيروجينو في 1448.
Pietà, Portrait of Baldassare Vallombrosano, The Madonna between St John the Baptist and St Sebastian, The Baptism of Christ, Madonna with Child and the Infant St John (detail), Christ Handing the Keys to St Peter (detail), The Madonna between St John the Baptist and St Sebastian (detail), Marriage of the Virgin, Assumption of the Virgin with Four Saints (detail) و Christ Handing the Keys to St. Peter. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 483 من أعمال بيترو بيروجينو، التي يعود تاريخها من 1470 إلى 1522.
توجد غالبيتها في معرض أوفيزي (فلورنسا), كابيلا سيستين (مدينة الفاتيكان) و متحف اللوفر (باريس). يدرج جدول المتاحف أعلاه جميعها.
في 1490s: تم إنجاز 31 من أصل 100 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Pietà.
في هذه الصفحة، أقدم الأعمال يعود إلى The Adoration of the Magi (particular detail) (1470) وأحدثها يعود إلى The Nativity: The Virgin, Saint Joseph and the Shepherds Adoring the Infant Christ (1522).
Woman (24), Child (20) و Landscape (20)، عبر 100 من الأعمال في هذه الصفحة.
Oil On Panel، لـ 34 من أصل 100 من الأعمال في هذه الصفحة.
High renaissance، بناءً على الأعمال الأصلية في هذه الصفحة.
Pietà, Portrait of Baldassare Vallombrosano و The Madonna between St John the Baptist and St Sebastian: يضم معرض أوفيزي, فلورنسا 15 من الأعمال المعروضة في هذه الصفحة.
