تحديث نوفمبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 70 أعمال لـ فرانشيسكو فرانتشا في كتالوجنا
باختصار
من وجهة نظر المعرض، تُعد Pietà (1514) أشهر لوحات فرانشيسكو فرانتشا، والتي تُعرض لوحتها الأصلية في المعرض الوطني، لندن. Madonna and Child (1494) و Madonna and Child with Angel (1500) يكملان الثلاثية التي تدركها كل عين. من بين 70 من أعمال فرانشيسكو فرانتشا في كتالوجنا، يعرض المعرض أدناه 69 من أشهرها، كل منها عمل أصلي مع سنة إنتاجه، والمتحف الذي يضمها، وما يجعلها فريدة من نوعها.
The Pietà by Francesco Francia is a significant component of the larger Buonvisi Altarpiece. This specific work is a semicircular painting, designed to form the upper portion of the altarpiece. It was originally commissioned for the Buonvisi family chapel, located within the church of S. Frediano in Lucca. Such a placement suggests its role was to provide a focused, intimate moment of reflection within the sacred space of the chapel.
Step closer to observe the stillness within this panel. Here, Francesco Francia presents the Virgin Mary and the Christ Child in a composition that favors stability and peace over dramatic movement. The figures form a gentle pyramid, a structure that provides a sense of permanence to the scene. Mary cradles her son against a soft landscape, where distant hills fade into a muted, atmospheric haze. There is a profound tenderness…
The Madonna and Child with Angel is a serene and tender Renaissance devotional painting that captures a moment of profound spiritual intimacy. Rendered in 1500, the composition is structured in a balanced, pyramidal arrangement, drawing the viewer into a quiet, sacred space. The Madonna is draped in a rich ultramarine blue mantle that contrasts beautifully against the warm reds of her undergarment and the dark crimson drapery of the background.…
The Virgin Mary occupies the center of a stable, pyramidal arrangement, cradling the Christ Child. Flanking her are Saints Francis and Jerome, each identified by thin, golden circular halos. The figures are set against a shallow landscape where distant hills and trees recede under a pale sky. This structure creates a sense of balance and permanence.
In this intimate composition, we find the Virgin Mary and the Christ Child positioned behind a stone parapet, a device that creates a sense of immediate presence between the viewer and the holy figures. The scene is defined by a profound stillness, a characteristic of the Bolognese school that emphasizes clarity and a calm emotional tone. There is a certain weight to the drapery, rendered in deep forest green and…
The Portrait of Pietro Cenni presents us with a quiet encounter with a young man from the Italian Renaissance. Painted by Francesco Francia, also known as Francesco Raibolini, this work captures a specific moment of stillness. The subject turns toward us in a three-quarter view, his gaze steady and calm against a dark, undifferentiated background. He wears a dark cap and heavy clothing that absorbs the light, focusing all attention…
In this 1483 painting, Mary with Child, Saint Sebastian and Anthony, Francesco Francia presents a quiet assembly of holy figures. The Virgin Mary sits at the center, cradling the Christ Child. To her left, Saint Sebastian is positioned in a state of serene presence, while the elderly Saint Anthony occupies the space on the right. This grouping forms a sacred conversation, a silent meeting of spiritual figures held within a…
The Baptism of Christ is a serene and balanced Renaissance religious painting that captures a pivotal biblical moment. The composition is vertically oriented, utilizing a classical triangular arrangement of figures that directs the viewer's eye from the kneeling John the Baptist upward toward the Holy Spirit. The color palette is rich and harmonious, featuring deep reds and blues in the drapery, which contrast against the naturalistic greens of the landscape…
Saint Roch, an altarpiece executed by Francesco Francia in 1502, centers on the figure of the pilgrim saint. Historically recognized as a protector against disease, Roch became a significant subject in European art following the Black Death and the plague outbreaks of the late fourteenth century. His reputation for performing miracles to cure the sick established him as a focal point for devotion during the Renaissance.
The painting Madonna with angels is a work by Francesco Francia. This creation emerged about 1475. The artist, Francesco Francia, was also known by the name Raibolini. He was a man of many crafts, working as an Italian painter, goldsmith, and medallist.
Mary with Child and Two Angels1495 · مجموعات بافاريا الحكومية للرسم
12
Madonna in a Rose Bower1500 · مجموعات بافاريا الحكومية للرسم
13
Adoration of the Magi1490 · مجموعات بافاريا الحكومية للرسم
14
Madonna and Child1500 · Wallington Hall
15
Virgin and Child: The Gambaro Madonna1495 · معرض ييل الجامعي للفنون
16
The Adoration of the Child1487
17
The Nativity of Christ1490 · Glasgow Museums Resource Centre
18
Madonna and Child with Saints Jerome and Francis1500 · Norton Simon Museum
19
Holy Family1487 · Gemäldegalerie
20
The Virgin and Child with the Young St. John1500 · Gemäldegalerie
21
The Annunciation with Saint Albert Carmelite1503 · متحف كوندي
22
Lucretia1506 · معرض يورك للفنون
23
Lucretia1506 · National Gallery of Ireland
24
Baptism of Christ1509 · Staatliche Kunstsammlungen Dresden
25
The Virgin and Child with Saint John the Baptist and Saint Mary Magdalene1517
26
Mary with the child in glory adored by six saints1502 · Gemäldegalerie
27
The Lamentation of Christ1510 · Gemäldegalerie
28
Virgin and Child with Saint John the Baptist.1510 · Museum in Nysa
29
Legend of Sts Cecilia and Valerian, Scene 11504
30
Legend of Sts Cecilia and Valerian, Scene 71504
31
Madonna and Child with Saint Francis of Assisi1530 · المعرض الوطني السلوفاكي
32
Madonna and Child with Two Angels1825 · متحف بويجمانس فان بيونينغن
33
Mary with Child, St. Francis, St. Catherine and young St. John the Baptist1504 · متحف الفنون التاريخية
34
The Holy Family1510 · متحف الفنون الجميلة
35
Madonna and Child with the Infant St John the Baptist1500 · متحف الفنون الجميلة
36
Crucifixion1500 · San Giacomo Maggiore
37
Adoration of the Child (detail)1498 · Pinacoteca Nazionale
38
Bishop Altobello Averoldo1505 · المعرض الوطني للفنون
39
View of the Oratory1504
40
Legend of Sts Cecilia and Valerian, Scene 31504
41
Legend of Sts Cecilia and Valerian, Scene 101504
42
Legend of Sts Cecilia and Valerian, Scene 81504
43
Legend of Sts Cecilia and Valerian, Scene 41504
44
Sacra Conversazione1513 · Academy of Fine Arts Vienna
45
The Flight into EgyptPalais des Beaux-Arts de Lille
46
Madonna and Child
47
Bartolomeo bianchiniالمعرض الوطني
48
Madonna and Child with Saints Francis and Jerome1500 · متحف المتروبوليتان للفنون
49
Mourning over the Dead Christالمعرض الوطني
50
Crucifixion with Sts John and Jerome1485 · Collezioni Comunali d'Arte di Palazzo d'Accursio
51
Adoration of the Child1498 · Pinacoteca Nazionale
52
Madonna + child with a Saint
53
Virgin and Childمتحف الفنون الجميلة
54
The Burial of St Cecily
55
The Marriage of St Cecily
56
Madonna and Saints (detail)San Giacomo Maggiore
57
The Virgin and Child with Two Saintsالمعرض الوطني
58
Madonna and SaintsSan Giacomo Maggiore
59
The Saint Anne Altarpiece from San Frediano, Lucca
60
The Virgin and Child with an Angel
61
Virgin and Child with SS. Dominic and Barbara
62
The Virgin and Child with Saint Anne and Other Saintsالمعرض الوطني
63
Adoration of the Child1498 · Pinacoteca Nazionale
64
Federico Gonzaga (1500–1540)1510 · متحف المتروبوليتان للفنون
65
The Entombment1500 · متحف الإرميتاج
66
Venus and Cupid1500 · Musée Des Beaux Arts
67
Our Lady of Krasnobród
68
Madonna and Child with Sts Lawrence and Jerome1500 · متحف الإرميتاج
69
Evangelista Scappi1500 · معرض أوفيزي
المواضيع الأربعة التي تتكرر باستمرار في هذه الأعمال الأصلية، مع تقديم أروع مثال لكل منها.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال فرانشيسكو فرانتشا | لوحات من هذه القائمة |
|---|---|---|---|
 المعرض الوطني |
لندن | 5 | Pietà, Bartolomeo bianchini, Mourning over the Dead Christ |
 متحف المتروبوليتان للفنون |
نيويورك | 5 | Madonna and Child, Madonna and Child with Saints Francis and Jerome, Saint Roch |
 مجموعات بافاريا الحكومية للرسم |
ميونخ | 4 | Mary with Child, Saint Sebastian and Anthony, Mary with Child and Two Angels, Madonna in a Rose Bower |
 Gemäldegalerie |
برلين | 4 | Holy Family, The Virgin and Child with the Young St. John, Mary with the child in glory adored by six saints |
 متحف الفنون الجميلة |
بودابست | 3 | The Holy Family, Madonna and Child with the Infant St John the Baptist, Virgin and Child |
 San Giacomo Maggiore |
Bologna | 3 | Crucifixion, Madonna and Saints (detail), Madonna and Saints |
 Pinacoteca Nazionale |
بولونيا | 3 | Adoration of the Child (detail), Adoration of the Child, Adoration of the Child |
 متحف بويجمانس فان بيونينغن |
روتردام | 2 | Portrait of Pietro Cenni, Madonna and Child with Two Angels |
اختر عقداً لتشاهد العمل الأصلي الذي يجسده.
The painting Madonna with angels is a work by Francesco Francia. This creation emerged about 1475. The artist, Francesco Francia, was also known by the name Raibolini. He was a man of many crafts, working as an Italian painter, goldsmith, and medallist.
The Portrait of Pietro Cenni presents us with a quiet encounter with a young man from the Italian Renaissance. Painted by Francesco Francia, also known as Francesco Raibolini, this work captures a specific moment of stillness. The subject turns toward us in a three-quarter view, his gaze steady and calm against a dark, undifferentiated background. He wears a dark cap and heavy clothing that absorbs the light, focusing all attention…
Step closer to observe the stillness within this panel. Here, Francesco Francia presents the Virgin Mary and the Christ Child in a composition that favors stability and peace over dramatic movement. The figures form a gentle pyramid, a structure that provides a sense of permanence to the scene. Mary cradles her son against a soft landscape, where distant hills fade into a muted, atmospheric haze. There is a profound tenderness…
The Madonna and Child with Angel is a serene and tender Renaissance devotional painting that captures a moment of profound spiritual intimacy. Rendered in 1500, the composition is structured in a balanced, pyramidal arrangement, drawing the viewer into a quiet, sacred space. The Madonna is draped in a rich ultramarine blue mantle that contrasts beautifully against the warm reds of her undergarment and the dark crimson drapery of the background.…
The Pietà by Francesco Francia is a significant component of the larger Buonvisi Altarpiece. This specific work is a semicircular painting, designed to form the upper portion of the altarpiece. It was originally commissioned for the Buonvisi family chapel, located within the church of S. Frediano in Lucca. Such a placement suggests its role was to provide a focused, intimate moment of reflection within the sacred space of the chapel.
Pietà (1514)، المعرض الوطني, لندن. ويليها Madonna and Child (1494) وMadonna and Child with Angel (1500).
عمر 67 عاماً: يعود تاريخ Pietà إلى 1514، وقد وُلد فرانشيسكو فرانتشا في 1447.
Pietà, Madonna and Child, Madonna and Child with Angel, Madonna and Child with Saints Francis and Jerome, Virgin and Child on a Parapet, Portrait of Pietro Cenni, Mary with Child, Saint Sebastian and Anthony, The Baptism of Christ, Saint Roch و Madonna with angels. يوضح التصنيف أعلاه سنة كل لوحة والمتحف التابعة له.
يضم كتالوجنا 70 من أعمال فرانشيسكو فرانتشا، التي يعود تاريخها من 1475 إلى 1517.
توجد غالبيتها في المعرض الوطني (لندن), متحف المتروبوليتان للفنون (نيويورك) و مجموعات بافاريا الحكومية للرسم (ميونخ). يدرج جدول المتاحف أعلاه جميعها.
في 1500s: تم إنجاز 27 من أصل 69 من الأعمال في هذه الصفحة خلال تلك الفترة، من بينها Madonna and Child with Angel.
في هذه الصفحة، أقدم الأعمال يعود إلى Madonna with angels (1475) وأحدثها يعود إلى The Virgin and Child with Saint John the Baptist and Saint Mary Magdalene (1517).
Woman (29), Landscape (23) و Child (21)، عبر 69 من الأعمال في هذه الصفحة.
Oil On Panel، لـ 24 من أصل 69 من الأعمال في هذه الصفحة.
Renaissance، بناءً على الأعمال الأصلية في هذه الصفحة.
Pietà, Bartolomeo bianchini و Mourning over the Dead Christ: يضم المعرض الوطني, لندن 5 من الأعمال المعروضة في هذه الصفحة.
